"Гугл мне в помощь!"

[kira-ena]

Интервью с Йовом Гореном. streamingsoundtracks.com/modules.php?name=Inter...

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I then searched and found talented collaborators such as Dann P...

I then searched and found talented collaborators such as Dann P, Lisbeth Scott, Anneke van Giersbergen et al to foment the vision. The end product is not nearly as ‘ethnic’ a project as was originally conceptualized, but it certainly allowed me to immerse myself more fully in orchestra & choir music, pushing that style into more of a song format than trailer cue format. Globus is really a project more than a band, as the main thread throughout is the big sound of the orchestra & choir, and the cinematic writing of Jeffrey Fayman and myself, as well as other contributors.

On Orchard of Mines, the Immediate Music cue “Serenata” served as inspiration for Dann P. He literally wrote an entire song, with totally different melodic and lyric content, which miraculously fit over “Serenata” so well, that I was literally speechless the first time I had heard his demo. Two other songs, Illumination and Madre Terra, which I composed, were sent to lyricist Frank Musker in London. He came back with some very inspirational work on Illumination, which is one of my very favorite songs on the album.

What was it like working with Scott, Dann P, Anneka Van Geirsbergen, Lisbeth Scott , etc. and how much creative input each had?
Dann P was a bold choice for so much of the male vocals on the album, inasmuch as I would not necessarily classify him as a vocalist in the traditional sense. With Dann, the magic really emerged when pitting his vocal performances against the orchestra and choir in the mixing phase of the project. His raw and unseasoned, yet very emotional voice, blends intriguingly with the smoothness of strings and female choir.